A wonderful turn out on Saturday 4 March for the opening of Fairburn Rocks. A huge thank you to Dinah Holman for curating and researching the exhibition, Denys Trussell for speaking and Ross Mullins for performing.
The Depot is very pleased to introduce its new Gallery Manager, Amber Lamana.
Amber will oversee the Depot Gallery and the Pocket Gallery. Recently relocating from Edinburgh, Amber has experience in exhibitions and arts administration, including co-curating exhibitions and organising cultural events. She hopes to quickly immerse herself into the Depot culture to assist in further development of the diverse exhibitions program and the Pocket Gallery.
We are excited to announce that David Barker will be exhibiting a new series of work at Depot Artspace from Saturday 25 March – Wednesday 12 April 2017. Called Fragments, this exhibition further explores Barker’s fascination with water and other natural elements including clouds. We’ve been so impressed by Barker’s refined methodologies and techniques and plan to be able to disclose more details about his work, technique and theories in future videos.
For now though, we encourage you to familiarise yourself with Barker’s painting practice.
Join us on Saturday 25 February, 2 – 5pm for the launch of our new publication, The Roaring Silence.
The Roaring Silence is about suicide awareness, comprising contributions from 79 artists, writers, poets, and a few professionals from all generations and backgrounds, and from throughout the country who collectively communicate the message that life is both dark and bright and that none of us is immune from times of shadow.
Join us at 2pm, with selected readings from the authors at 2:30pm.
Drinks and snacks will be provided.
The Roaring Silence
Watch the video below for a flick through the book:
We recently had the pleasure of listening to Priscilla Lowry speak about her textile works, which were exhibited in the group show Written in Thread along with Ailie Snow and Priscilla Evans. Check out the video that was filmed by our Media Producer, Amelia Harris, below:
Priscilla Lowry trained as a Home Economics teacher, specialising in textiles and gained her BA from Auckland University majoring in Art History and Education. She was the owner and director of Gallery St John in Remuera which focused on hand worked silk, exhibiting everything from tiny exquisite items to wearable art. This period was followed by seventeen years in the UK where for six years she was the Director of the Schuster Gallery which specialized in illuminated manuscripts. During this time she obtained her MA in Medieval History from London University. This was followed by almost constant travelling in the UK and abroad, teaching and giving lectures and workshops on working with silk. Concurrently, she wrote two books published in the UK on the history of silk and a third book, The World of Silk on her return to NZ. For the last ten years she has been teaching Medieval History at Auckland University and has continued to give talks and workshops, and judge for major exhibitions of textiles. Her solo exhibition at Northart was entitled Silk: Deconstructed: Reconstructed which was followed by a shared exhibition with Joan Taylor in 2013 at the Depot Artspace, called Off the Wall, again focusing on silk in its many and diverse forms.
Today we acknowledge the one year anniversary of the passing of our dear friend, potter, painter, engineer, railway enthusiast, conservationist, writer, wrerter, vernacularist, cultural icon – Barry Brickell (26 October 1935 – 23 January 2016)
Read Linda Blincko’s commemorative piece on Barry and his unique philosophy, his way of living in the world, ‘It’s not the thing but how’ here: http://liberationarts.tumblr.com/
You’ll find the Cultural Icon’s episode with Barry Brickell here: http://culturalicons.co.nz/episode/barry-brickell-part-1
As part of our inaugural 2017 exhibition Fairburn Rocks, we are planning a video series of people reading their favourite A.R.D. Fairburn poem as a tribute to one of our most significant poets.
If you have a favourite Fairburn work you’d love to share, please contact Amelia, firstname.lastname@example.org to find out how you can participate.
Linda Gair reads ‘Jack the Ripper’ by A.R.D. Fairburn from Strange Rendezvous.
The ArtsLab Consulting team understand that summer can be a time for reflection, particularly about your career and what makes you happy and fulfilled. Here are three questions to ponder over whilst enjoying a cool drink in the sun, swimming at the beach, or barbecuing to your heart’s content.
What Am I Most Curious About in Life? Often, the things we are curious about have the potential to translate into a job. For example, a recent client shared a story of how when he was a child he would make his mum pause the cartoon DVDs he watched so he could draw the characters. He’s now a 2D animator. Follow your curiosity and interests, but realise that you do not know what will interest you unless you try new things. Make the summer of 2017 the summer of trying new things.
What Sort Of A World Do I Want to Help Create? Many career decisions stem from a desire to meet our own wants and needs. It’s possible to re-frame our decisions towards asking what the world needs and how we might go about offering our strengths in a spirit of service.
What Are My Non-Negotiables? We all know that every job has its own set of advantages and disadvantages and that we all make compromises with our choice of paid work; however, is your current role draining you of your life energy and is it worth it? Taking the time to figure out what your top values are makes career decisions much easier. If you would like to make a fresh start in the New Year, the ArtsLab team is here and ready to help.
Happy Holidays and come say hi in the New Year!
The Rembrandt Remastered exhibition will be at the Depot Artspace very soon! Opening on Monday 19 December, we are excited to host the internationally celebrated travelling exhibition. Laine Moger from the North Shore Times caught up with our manager Lynn Lawton, you can read the article here.
Monday 19 December 2016 to Sunday 19 February 2017
Open Daily from 10:30am – 4pm
(except 25 & 26 December and 1 & 2 January)
Entry: Adults – $10
Child 12 & under – $5
(to cover exhibition costs).
Depot Galleries: The Importance and Necessity of Change
The Depot is prone to neither whimsy nor reactivity. Change is made consciously and as a result of careful analysis of many factors: demographics, both local and national; economics; politics; trends in art and art sales; changes and diversity in arts markets.
Next year we are welcoming the return of the Vernacular Lounge, replacing Small Dog, whose role will be partly fulfilled by the Art Room where member artists will be able to exhibit work throughout the year. We are aware that many artists do not have the work to mount a complete exhibition, and that some would like to maintain an ongoing presence in Devonport and build their relationship with the community.
The Vernacular Lounge is reintroduced in response to an increasing interest in an evolving Aotearoa New Zealand cultural identity, especially as big business, intensive urbanisation, globalisation affect our environment, heritage and history. The following website documents the danger in which heritage is placed.
The Vernacular Lounge
The Vernacular Lounge is an intimate living room which sheds a light on the influences that shape Aotearoa New Zealand’s evolving and distinctive cultural identity as defined by its art, architecture, literature, film and other cultural forms. In a contemporary, globalised context the vernacular is an even more important component of the Depot’s raison d’etre. The ‘lounge’, while not peculiar to New Zealand, is traditionally and typically the social hub of the New Zealand home and it is in this spirit and form that the Vernacular Lounge will host and initiate exhibitions, publications, events and showcases, that explore and develop our cultural vernacular.
Events and exhibitions in the Vernacular Lounge have included tributes to Don Binney and Ralph Hotere, an exhibition of vernacular architecture and a history of peace protests in New Zealand. They have explicitly or implicitly explored the question; in the midst of diversity, is there an elusive quality, a ‘national identity’, which binds us all?
Coming up in the Vernacular Lounge: Fairburn Rocks
Next year we are excited to welcome to the Vernacular Lounge cultural icon A.R.D Fairburn, arguably one of Aotearoa New Zealand’s most significant poets. This, our inaugural exhibition, Fairburn Rocks will feature his rare rock drawing panels hand-blocked on to fabric by the Devonport poet and artist A.R.D. Fairburn in the 1950s. It will be held in the Vernacular Room at the Depot Artspace in Devonport in March 2017, to mark the 60th anniversary of his premature death in March 1957.