Awesome to see two tracks coming out of the Depot Sound Recording Studio on the 95bFM Top 10 this week. Carb on Carb’s ‘Practising for Retirement’ (recorded at Depot Sound) and Dirty Pixel’s ‘Spacesuit’ (mixed at Depot Sound) both made their way onto the list!
We are looking for a new Promotions and Media Coordinator to join the team at the Depot Artspace.
The Depot Artspace is a dynamic creative community working in a continually changing environment. It is widely responsive to the environment and offers services, programmes and facilities that span the spectrum of disciplines, needs and interests.
Are you an astute and inquiring lateral thinker who enjoys variety and challenge in their work? Would you value working with a small, diverse high energy team to develop and implement a marketing and promotions strategy that communicates the breadth of the Depot’s creative initiatives, projects and services and recognises the wider arts and social environment? Our ideal candidate will have proven experience in a media or promotions role within the arts or publishing areas. If this sounds like you then we would love to hear from you.
Key aspects of this role are:
Creation of ‘engaging point of difference’ media that links Depot events and programmes with the cultural, creative and social issues taking place in Auckland
Source appropriate opportunities for media placement
Development of a cohesive media strategy that communicates the distinctive place of the Depot Artspace in Auckland
Great organisational skills coupled with initiative and innovation.
Relationship building engagement with existing and new audiences
This is a full time position (30 hours/wk) with negotiable days of work for a fixed six month contract.
Qualities, skills and attributes required for the position:
warm, outgoing and interested in participating in The Depot’s creative activities
excellent writing skills
well-developed communication and interpersonal skills
high level of organisation and administration
able to work collaboratively and independently
ability to display sound judgment and show initiative
social media, website and CMS savvy
proven experience in marketing and media
media relationship building skills
Adobe InDesign and Illustrator
To apply please first request a Position Description from firstname.lastname@example.org and then apply with your CV and cover letter.
Natasha Lay, a stage manager and one of the contributors of The Roaring Silence and Lynn Lawton, the Depot Artspace Manager, were interviewed on The Cafe on TV3 on Tuesday 16 May 2017. Watch the video below to hear them discuss the book and the issues surrounding suicide.
The issue of suicide prevention is being widely discussed, but when is it the right time to bring it to the attention of your children? Lynn Lawton and Natasha Lay who’ve contributed to a new book on the subject called “The Roaring Silence” joined us this morning.
Auckland and Waitemata DHBs suicide prevention programme manager and one of The Roaring Silence contributors, Manu Fotu spoke with Kathryn Ryan this morning on Nine to Noon about the wellbeing of whanau affected by suicide.
Please click HERE to have a listen. Many thanks to the team at Nine to Noon for the opportunity.
The Roaring Silence is a book about suicide awareness, comprising contributions from 79 artists, writers, poets, and a few professionals from all generations and backgrounds, and from throughout the country who collectively communicate the message that life is both dark and bright and that none of us is immune from times of shadow.
From Highbrow to monobrow and everything in between, Aimée Ralfini offers a weekly morsel of Who Arted what, where and when, to keep you salivary glands going until you get your next art fix.
Artist Niki Hill will be live this Thursday, 11 of May at 10:40am on 95bFM, to discuss about her exhibition Fresh, Fur and Flesh at the Depot Artspace.
Please click HERE to listen or download a podcast of the interview.
Who Arted is a live-to-air weekly feature on bFM’s Morning Glory presented by Aimée Ralfini. It is aimed at generating interest from a wide ranging audience towards Fine Art and the wider Visual Arts community in the first instance. It does this by maintaining informative and interesting 7-9 minutes interviews, discussing relatable subjects surrounding the artist and their work, and visually describing artwork to activate the listeners imagination.
The Auckland Festival of Photography is an Auckland wide photography event which takes place in galleries, project spaces, public sites and other spaces. The programme features an exciting mix of existing and new work from both established and emerging artists.
A big thank you to all our members that submitted 10″ x 10″ works for our Be There, Be Square Members Exhibition. What a great turn out! Another big thank you to Issie and Jack who developed The Pigment Club, heaps of imaginative works have already been created and we look forward to seeing many more.
In light of David Barker’s new series of work, Fragments, The Depot Artspace is pleased to present a mini-documentary on the artist.
David Barker’s work is comprised of paintings that explore sea shells, sheds, ships, and skyscapes, and further examine Barker’s fascination with water and other natural elements including clouds.
His investigations of the sea and marine life are incredibly detailed and experly rendered using techniques that he has been developing througout his career, and from research in libraries, museums and in nature itself.
From his studio in Devonport, Auckland, Barker engages with his artistic practice that he has developed over his 75 years, after graduating from Elam School of Fine Arts.
The Depot’s Media Producer Amelia Harris made several visits to his studio to get to know Barker and his work and track the making of the exhibition.
The exhibition, comprised of 32 new works, features two free standing bifold screens, each a montage of marine images, and are included with four ‘shed’ paintings based on location sketches, along with skyscapes inspired Barker’s flight in a Boeing Dreamliner over Canada.
In Barker’s own words, “even with years of practice, painting has never become easy. I cannot say how long it takes to do a specific painting. The duration varies. Some paintings demand more time than others, but for me, all share an element of chance or risk. Each is but a ‘fragment’, a fixed format, a visual patch of life passing by.”
The Depot has been impressed by Barker’s refined methodologies and techniques and is thrilled to be exhibiting his work once again.